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Dickens and the Theatre - Moskovitz
Three Actors
Herb Moskovitz examines Dickens' love of the theatre.

Boz and the Bard
Herb Moskovitz explores Shakespeare's influence on Charles Dickens.

Dickens Possibly Influenced Sweeney Todd
Herb Moskovitz looks into this possibility in this entertaining piece.

The Mutual Friend - Frederick Busch
The Mutual Friend

by Frederick Busch
Novel based on Dickens' American reading tour of 1867/68

Dickens Stage Links:

Best of Times: The theater of Charles Dickens - From The New York Public Library

Condensed version of A Christmas Carol Dickens used for public readings

New York Reading 1867:

Edwin Coggeshall remembered that his entire family came over from Brooklyn by ferry in a blinding snowstorm. On such a night, some astonished friends said, they wouldn't have come from Brooklyn to hear the Apostle Paul. "No, neither would we," was the reply, "but we came to hear Dickens."
-Edgar Johnson

President Andrew Johnson
During the American reading tour of 1867/68 President Andrew Johnson attended one of the readings in Washington and invited Dickens to the White House. Dickens visited on February 5, 1868...Johnson was impeached later that month.

Anton Lesser
Anyone who doubts that a man reading a book aloud, using only changes in voice, gesture, and vocal expression, can enthrall and move an audience, need only see Anton Lesser perform as Dickens to understand the immense popularity of Dickens' reading tours.

Henry Wadsworth Longfellow

Dickens met the poet during his first American visit in 1842 and the two became friends. Longfellow visited Dickens in England on three occasions and attended Dickens' readings in Boston during Dickens second American visit in 1867/68. Longfellow's daughter, Annie Allegra, attended the readings with her father and later recalled "How the audience loved best of all the Christmas Carol and how they laughed as Dickens fairly smacked his lips as there came the 'smell like an eating house and a pastry cook's next door to each other, with a laundress's next door to that,' as Mrs Cratchit bore in the Christmas pudding and how they nearly wept as Tiny Tim cried 'God bless us every one!'"

Would Dickens be writing soap operas if he lived today? Robert Giddings looks at this popular belief in light of BBC's new Bleak House

Final Reading

Dickens gave his last reading at 8:00 pm on March 15, 1870 at St. James's Hall located at Regent Street and Piccadilly in London. Dickens, in grave health by this time, read A Christmas Carol and the Trial of Pickwick. St. James's Hall opened on March 25, 1858 and was demolished in 1905. The Piccadilly Hotel was built upon the spot. Dickens ended this last reading with these words:

...from these garish lights I vanish now for evermore, with one heartfelt, grateful, respectful, and affectionate farewell.

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Read about an interesting incident that happened while the Dickens' amateur acting troupe was performing in Sunderland in 1852.

Public Readings - The Death of Nancy

The Death of Nancy

In 1868, with his health rapidly declining, Dickens began a farewell reading tour of Britain.

For this tour Dickens added a very passionate and dramatic performance of the murder of Nancy from Oliver Twist, despite pleas from his family not to include it, fearing for his health.

Many believe that the energy expended in these performances, which he read with such passion and violence that woman fainted in the aisles, hastened his early death in June, 1870.

Read Dickens' friend Charles Kent's report on the reading of Sikes and Nancy.

Dickens' reading manager George Dolby tells the story of the English and American Readings. Very entertaining!

An Actor's Dickens - Beatrice Manley
An Actor's Dickens

Adapted and edited by
Beatrice Manley
Scenes for Audition and Performance from the Works of Charles Dickens

Huckleberry and Hodge

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Dickens on Stage

Amateur Theatricals | Public Readings

Dickens' Amateur Theatricals
The story of the Crummles' traveling theatrical troupe in Nicholas Nickleby was one close to Dickens' heart. As a child Charles was exposed to, and loved, the theater. Dickens as Capt BobadilAs a schoolboy he formed a small dramatic company of his friends. Had it not been for an illness on the morning of a scheduled audition at the Covent Garden theater in the early 1830s, just before his writing gained attention, he may have made a career on the stage.

After years away from the stage, Dickens agreed to direct and perform in three plays while in Montreal, Canada in 1842. The success of the Montreal plays provided the spark that rekindled Dickens' love of the footlights. Back home in London Dickens gathered friends to perform Ben Jonson's Every Man in his Humour for charity, which was a huge success.

These amateur theatricals continued throughout the middle years of Dickens' career as a world famous author. He worked tirelessly as actor and stage manager and, as his friend John Forster remarked, often adjusted scenes, assisted carpenters, invented costumes, devised playbills and generally oversaw the entire production of the performances.

Many of his friends and associates in the arts, including Forster, Douglas Jerrold, John Leech, Mark Lemon, Augustus Egg, Wilkie Collins, and George Cruikshank acted in these theatricals which were performed across Britain. The distinguished actor William Macready, a close friend of Dickens, provided guidance in the performance of the productions. Another friend, artist Clarkson Stanfield, lent a hand designing scenery. The schoolroom in his home, Tavistock House, could be converted to a theater for small performances. The Dickens' amateur troupe even performed twice for Queen Victoria and Prince Albert.

This close association with the theater had an important impact on Dickens the author. Theatrical characters abound in the novels and the stories are told in such a visual way that they easily lent themselves first to illustrations in the novels, stage dramatizations, and finally to film.

Later in his career Dickens' theatrical training contributed to the success of public readings of his works, some of which were so physically taxing that they may have hastened his early death.

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1857 - The Frozen Deep

Up to this point Dickens' amateur theatricals had been staged primarily for the amusement of his family and friends. The Frozen Deep was to be Dickens' first serious play, shown before a larger audience made up of a cross section of London society. The script was written by Wilkie Collins based on an idea by Dickens and originally was staged at the makeshift theatre in Dickens' home, Tavistock House in London; five performances took place in January, 1857. The Frozen DeepAlthough Collins is listed as the author, Dickens was involved heavily in revising Collins' script. The production of this play would have repercussions for Dickens for the rest of his life.

Historical Background

Sir John Franklin made several expeditions in search of the Northwest Passage through the Arctic. His final expedition sailed on May 19, 1845, and was last seen on July 26, 1945, never to be heard from again. There were unsubstantiated rumors (hearsay from Eskimos in the Arctic) that the men in Franklin's party had been driven to cannibalism. There was a general uproar in England at the thought of Englishmen resorting to this "last resource." Dickens argued in several reports in his weekly magazine, Household Words, against the cannibalism story. Dickens conveyed his idea for a play based on the Franklin Expedition to Wilkie Collins while in Paris in the spring of 1856. Dickens was busy serializing Little Dorrit in monthly parts and it was decided that Collins would write the new play.

Story in a Nutshell

Richard Wardour and Frank Aldersley are in love with the same woman. When the woman picks Aldersley, Wardour vows revenge but doesn't know the name of his rival. Both men end up on an expedition to the Arctic. The expedition goes badly and the men are forced to abandon their ships. Wardour learns that Aldersley is the man he seeks. With supplies running low a small band is chosen to try to get to a settlement for help. Both Wardour and Aldersley are chosen as members of this group and it is feared that Wardour will kill Aldersley. In the end, however, Wardour dies saving Aldersley's life for the woman they both love.

Sound familiar? It should. Dickens used these same devices, love triangle and self-sacrifice, in his next book A Tale of Two Cities. In fact, Richard Wardour, as, for Dickens, a new kind of flawed hero, would resurface not only as Sydney Carton in A Tale of Two Cities but as Pip in Great Expectations and Eugene Wrayburn in Our Mutual Friend.

Producing the Play

Dickens acted as manager of the performance. He assumed the role of Richard Wardour, coached the cast of his family and friends in their parts, and enlarged the small theatre in Tavistock House to seat 90 people. He engaged artists Clarkson Stanfield and William Telbin to paint the backdrops and recruited Francesco Berger to write music and play piano.

Later Performances

The performances at Tavistock House earned Dickens rave reviews for his portrayal as Wardour. Many were of the opinion that a professional actor could not have pulled off the performance nearly as well. There originally were no plans to extend the performances past the five January 1857 shows at Tavistock House; however, the Queen requested a private performance for the royal family, and the performance took place on July 4, 1857. When Dickens learned that his friend Douglas Jerrold had died, he immediately made plans to stage The Frozen Deep to benefit Jerrold's family and three performances were held in London. When a request for benefit performances of the play be performed at the New Free Trade Hall in Manchester, Dickens at first was doubtful that the play could be staged in such a large hall. In the end, three performances were held at the Manchester hall, using professional actresses in parts formerly played by Dickens’ daughters, as it was thought their voices would project better in the large hall. This decision would impact Dickens for the rest of his life as he fell in love with one of the actresses, Ellen Ternan.

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Dickens' Public Readings
Dickens was, first and foremost, an entertainer. From childhood and into adult life he loved the stage and loved and needed the outpouring of adulation he received. He performed in amateur theatricals throughout the 1840s and 50s and, had he not achieved early fame as a writer, would almost certainly have made a career on the stage.

Dickens reading tour - 1858

In 1853 Dickens began giving public readings of his works, first for charity, and beginning in 1858, for profit. Before this time no great author had performed their works in public, but Dickens' works were uniquely suited for performance, as they would later successfully adapt to the screen. Dickens' friend and advisor, John Forster, argued unsuccessfully that such public exhibition for money was beneath his calling as a writer and a gentleman.

Throughout the 1860s, except for a break at mid-century when he was writing Our Mutual Friend, Dickens undertook reading tours of Britain, making more money from the readings than he could from writing, even though he always made sure that seats were available at working-class prices.

The performances initially included the Christmas books: A Christmas Carol, The Chimes, and Cricket on the Hearth. Later Dickens incorporated scenes from Dombey and Son, Nicholas Nickleby, Pickwick Papers, Martin Chuzzlewit, and his favorite, David Copperfield. He tightened the narrative, wrote stage directions to himself in the margins, and tried to infuse as much humor as possible, leaving out passages of social criticism as inappropriate for evenings of entertainment.

Dickens biographer Edgar Johnson on the public readings: "It was more than a reading; it was an extraordinary exhibition of acting ...without a single prop or bit of costume, by changes of voice, by gesture, by vocal expression, Dickens peopled his stage with a throng of characters."

Thomas Carlyle, author and friend of Dickens, after attending one of the readings, remarked that Dickens was like an entire theater company...under one hat.

Dickens reading 1858

Dickens' six-man entourage for these reading tours included his manager (Albert Smith, later George Dolby), a valet, a gas man, and a couple of others doing clerical work and odd jobs. The unique stage equipment included a reading desk, carpet, gas lights, and screens behind to help project his voice forward.

After much deliberation, and with the promise of big money, he undertook a reading tour of America from December 1867- April 1868 which earned him 19,000 pounds.

On Dickens return to England, and in declining health, he began a farewell tour of Britain in October 1868. This tour included a new addition, a very passionate and dramatic performance of the murder of Nancy from Oliver Twist. Many believe that the energy expended in this performance, which he insisted on including even as his health worsened, hastened his early death on June 9, 1870.

Mark Twain saw Dickens perform in January 1868 at the Steinway Hall in New York and gave this report.

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